Minggu, 18 November 2012

[B958.Ebook] Ebook Free Literary Lost: Viewing Television Through the Lens of Literature, by Sarah Clarke Stuart

Ebook Free Literary Lost: Viewing Television Through the Lens of Literature, by Sarah Clarke Stuart

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Literary Lost: Viewing Television Through the Lens of Literature, by Sarah Clarke Stuart

Literary Lost: Viewing Television Through the Lens of Literature, by Sarah Clarke Stuart



Literary Lost: Viewing Television Through the Lens of Literature, by Sarah Clarke Stuart

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Literary Lost: Viewing Television Through the Lens of Literature, by Sarah Clarke Stuart


From the moment that Watership Down made its appearance on screen in season one, speculation about Lost's literary allusions has played an important role in the larger discussion of the show. Fans and critics alike have noted the many references, from biblical passages and children's stories to science fiction and classic novels.

Literary Lost teases out the critical significance of these featured books, demonstrating how literature has served to enhance the meaning of the show. It provides a fuller understanding of Lost and reveals how television can be used as a tool for stimulating a deeper interest in literary texts.

The first chapter features an exhaustive list of "Lost books," including the show's predecessor texts. Subsequent chapters are arranged thematically, covering topics from free will and the nature of time to parenthood and group dynamics. From Lewis Carroll's creations, which appear as recurring images and themes throughout, to Slaughterhouse-Five's lessons on the nature of time, Literary Lost will help readers unravel the show's novelistic plot while celebrating its astonishing layers and nuances of text.

  • Sales Rank: #1613565 in Books
  • Published on: 2011-01-13
  • Released on: 2011-01-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.49" h x .48" w x 5.48" l, .52 pounds
  • Binding: Paperback
  • 176 pages
Features
  • book, used reference

Review
I've been arguing for decades that not only is television not inimical to literacy, it is a great ally of reading. Sarah Clarke Stuart's Literary Lost provides a brilliant, meticulous, soaring and satisfying proof of that proposition. Her tour-de-force analysis examines the roles of nearly a hundred books in Lost, ranging from the Holy Qu'run to the Wizard of Oz. The television series had highs and lows of narrative; Stuart's work has only highs, and is destined to become a classic in television studies. (Paul Levinson, Author of New New Media, and The Plot to Save Socrates)

"I've been arguing for decades that not only is television not inimical to literacy, it is a great ally of reading. Sarah Clarke Stuart's Literary Lost provides a brilliant, meticulous, soaring and satisfying proof of that proposition. Her tour-de-force analysis examines the roles of nearly a hundred books in Lost, ranging from the Holy Qu'run to the Wizard of Oz. The television series had highs and lows of narrative; Stuart's work has only highs, and is destined to become a classic in television studies." - Paul Levinson, author of New New Media, and The Plot to Save Socrates



"I did not need to be convinced that the recently completed Lost was a series of great complexity and depth, one of the most narratively rich in the history of the medium, but I was not prepared to discover the Lost Sarah Clarke Stuart discovers in this important and insightful book. By diving deeper than any critic has to-date into Lost's intertextuality, by asking questions nobody so far had thought to ask, Stuart not only takes our understanding of a small-screen masterwork to a whole new level; she also builds ready-to-be crossed bridges between one-time adversaries: literature and television." - David Lavery, co-author of Lost's Buried Treasures


Featured in a charming article about a high school teacher using the book to teach his Literature class. March 9, 2011 Roanoke Times.

"I did not need to be convinced that the recently completed Lost was a series of great complexity and depth, one of the most narratively rich in the history of the medium, but I was not prepared to discover the Lost Sarah Clarke Stuart discovers in this important and insightful book. By diving deeper than any critic has to-date into Lost’s intertextuality, by asking questions nobody so far had thought to ask, Stuart not only takes our understanding of a small-screen masterwork to a whole new level; she also builds ready-to-be crossed bridges between one-time adversaries: literature and television." - David Lavery, co-author of Lost’s Buried Treasures


Featured in a charming article about a high school teacher using the book to teach his Literature class.� March 9, 2011 Roanoke Times.

About the Author
Sarah Clarke Stuart teaches composition, media studies and literature at the University of North Florida. She has been teaching and writing about Lost for several years.

Most helpful customer reviews

9 of 10 people found the following review helpful.
Smart show...smart book!
By Deborah Williams
For too long academics and other pseudo-intellectual types have sweepingly dismissed television as an "idiot box" or beneath consideration. A number of people brag about being tv-less as if that inbues them with some sort of greater mental status. The fact is that television has some high-end intelligent shows (It's not all Jersey Shore!). Its wonderful that we now have academics acknowledging that and bringing their expertise to the study of these shows.

What I really love about this book is how it gives the reader a framework to do their own exploration. It's like having a great literature class that you can take in your pajamas. For books I've already read, I gained a new view through the "lost" lens. Even more enjoyable was how Stuart took the literature and tied it to specific episodes allowing me as a reader and a viewer to revisit and rethink the show. I would literally put the book down, go put a DVD in, and then watch the episode in question again. It was a multi-dimensional approach to studying the liberal arts :)

My favorite chapter was about time travel. Stuart pulls from a variety of sources including Hawking's seminal work (Brief History of Time). She readily acknowledges that time travel is a common plot device in science fiction but recognizes this as not being a Heinlein type of time travel. I do wonder, in light of the ending, was it really time travel or movement between spiritual planes?

See all 1 customer reviews...

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