[V904.Ebook] Download Ebook The Construction Zone: Working for Cognitive Change in School (Learning in Doing: Social, Cognitive and Computational Perspectives), by De

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This study addresses the process of developmental change as it occurs in the course of classroom lessons. The book aims to answer such questions as what forms of teacher-student interaction are most effective for producing developmental transformations in children's understanding. It also addresses why knowledge derived from psychological experiments on children's learning and development so often seems irrelevant to classroom teachers and how it is possible to reconcile Piaget's emphasis on the central role of independent intervention and constructive activity with learning theorists' emphasis on environmental feedback as the motive force of change. Assuming that intellectual development occurs in the "construction zone," a shared space encompassing the joint constructive efforts of teachers and students, the authors provide innovative answers to these and related questions. The questions are illustrated with detailed analyses of specially constructed lessons in the instructional areas of natural science, social studies, and mathematics.

• Sales Rank: #2517414 in Books
• Brand: Brand: Cambridge University Press
• Published on: 1989-04-28
• Original language: English
• Number of items: 1
• Dimensions: 8.98" h x .43" w x 5.98" l, .69 pounds
• Binding: Paperback
• 188 pages

Features

• Used Book in Good Condition

About the Author
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fm.author_biographical_note2

Michael Cole is the University Professor of Communication, Psychology, and Human Development and Director of the Laboratory of Comparative Human Cognition at the University of California, San Diego. He also holds the Sanford Berman Chair of Language, Thought and Communication. He is the author and coauthor of several books and many articles on culture and development. He is a member of the National Academy of Education, the American Academy of Arts and Sciences, and the Russian Academy of Education.

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[Y806.Ebook] Download PDF Necessary Endings: The Employees, Businesses, and Relationships That All of Us Have to Give Up in Order to Move Forward [Hardcover], by He

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• Sales Rank: #5133921 in Books
• Published on: 2011
• Binding: Unknown Binding

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[Z871.Ebook] Ebook Free Lady Windermere's Lover (The Wild Quartet), by Miranda Neville

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Hell hath no fury . . .

Damian, Earl of Windermere, rues the day he drunkenly gambled away his family's estate and was forced into marriage to reclaim it. Now, after hiding out from his new bride for a year, Damian is finally called home, only to discover that his modest bride has become an alluring beauty—and rumor has it that she's taken a lover. Damian vows to keep his wife from straying again, but to do so he must seduce her—and protect his heart from falling for the wife he never knew he wanted.

Lady Cynthia never aspired to be the subject of scandal.

Lady Cynthia never aspired to be the subject of scandal. But with her husband off gallivanting across Persia, what was a lady to do? Flirting shamelessly with his former best friend seemed like the perfect revenge . . . except no matter how little Damian deserves her loyalty, Cynthia can't bring herself to be unfaithful. But now that the scoundrel has returned home, Cynthia isn't about to forgive his absence so easily—even if his presence stirs something in her she'd long thought dead and buried. He might win her heart . . . if he can earn her forgiveness!

• Sales Rank: #1228733 in Books
• Published on: 2014-06-24
• Released on: 2014-06-24
• Original language: English
• Number of items: 1
• Dimensions: 6.75" h x .96" w x 4.19" l, .65 pounds
• Binding: Mass Market Paperback
• 384 pages

Review
A smart, witty and emotionally dense love story that explores friendship and trust along its passionate and compelling journey. (Kirkus Reviews)

About the Author

Miranda Neville grew up in England before moving to New York City to work in Sotheby's rare books department. After many years as a journalist and editor, she decided writing fiction was more fun. She lives in Vermont.

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20 of 20 people found the following review helpful.
Not my favorite from this author
By Jen (Red Hot Books)
I had some issues with this book. OK, one issue primarily. I didn't like the hero. That's a pretty big obstacle to overcome. In fact, I found myself rooting for "the other guy" to win the heroine. This, even though she was already married and I hate adultery storylines. I didn't dislike the entire book, but I just couldn't get excited about the romance.

Damien, the Earl of Windermere, only married Cynthia because of a bad game of cards. He got drunk on his 21st birthday and lost his mother's ancestral home. He actually lost it to a friend, but that friend was just as loaded and lost it to a third party. He never got over it and he never forgave Julian, the friend who carted his unconscious butt away from the card game before securing the property. Over the years, Damien has tried to buy back the home, but the new owner refused, until now. Damien can get the property back when he marries the owner's niece.

I won't get into the particulars of how it all plays out. The bottom line is I thought Damien's treatment of Cynthia was abominable... He had no faith in her. He accused her of things she didn't do. He took no stock in her intelligence. He insulted her and yet because he wanted to get in her pants, we are supposed to think this is a romance to root for? At least Julian recognized that she was a woman of worth. It took Damien way too long to reach the same very obvious conclusion. For much of the book it felt like the only reason Damien wanted to keep her was because he wanted to sleep with her and simply because he did not want Julian to have her. That is pathetic. On top of that, I felt like his animosity towards Julian was based on a very flimsy premise. Julian wasn't the one responsible for his stupid behavior as a young man. Julian just carted his drunk-butt home. That is not a reason to start their ridiculous vendetta.

I did like Cynthia. She managed to transform herself by picking herself up by the bootstraps. And she managed to make a difference in the lives of others who were worse off than she was. I also have to give her kudos for staying faithful given what she had to deal with.

I thought the love scenes were good. And the resolution played out fairly well. But overall, this wasn't one of Miranda Neville's more satisfying reads.

12 of 13 people found the following review helpful.
Terrific start, fun middle, too-pat ending
By Dangerous when Cooking
If you love fluent, elegant writing, effortlessly accurate history and emotionally complicated premises, try this book. I just bought it on a whim and holy moley, I dropped everything to read it. Yes, it's good. And I'm happy to have procrastinated with it. (And even happier to discover this author. She's written quite a few. Yay.)

A textile manufacturer's heiress is married to a nobleman-diplomat who has accepted a devil's bargain to regain his mother's estate, a property he lost to an erstwhile friend in a youthful game of chance. The Earl of Windermere holds his nose to marry the Birmingham bumpkin but takes off soon after consummating the marriage and she is left to fend for herself. This she does by wintering in London and making a few friends, one of whom is her husband's frenemy, now Duke of Denford. Old emnities and class divisions are just some of the obstacles the two face, not to mention a year's worth of preconceived notions, disappointments and mistrust.

You might enjoy this if you've enjoyed Mary Balogh or Grace Burrowes. The perspectives of H/h are beautifully delineated, and their initial gulf heartbreakingly wide. Midway through I couldn't wait to know what happened next and how in God's name he'd redeem himself with her. (As others point out, he's not the take responsibility and suck it up fantasy hero populating most romances, but an imperfect man whose colossal mistake in youth sets his course for life and leaves him with a few idee fixe about who shared the blame for it.)

Having finished it, I will say it was enjoyable as the two negotiated common ground and their evolving passion. The last act of the story involved a half-hearted, half-baked crime, which came out of nowhere and resolved without much to-do; but all in all, I had a good time here. No wish to re-read this, so ultimately not 5 stars for me.

8 of 8 people found the following review helpful.
What's gone wrong?
By Danker
I pre-ordered this title and settled down to read it with high levels of anticipation, only to find it disappointing.
In doing so, I was in no way influenced by other reviews, because I read this story the day it was released, before any reviews had been posted.
I found the writing, for the most part, flat. The H is a pathetic whinger who will most likely spend his whole life blaming others for mistakes for which he should take sole responsibility. The only thing in his favour is his recognition that his actions have driven her into the arms of another man and that he can't condemn her for her "unfaithfulness".
Moreover, the alienated friend is unbelievable and the plot is downright irritating.
I tried to like the h, but she is implausible (her reminiscences of the wedding scene made me cringe - seriously, given what had happened previously, what did she expect?).
Finally, if we are to believe her almost lover's suggestion that she was frightened into marriage, her bullying uncle is a most unconvincingly invisible villain.
I am in no way tempted to continue with this series. And that surprises me.

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[F109.Ebook] Download PDF The Entropy Law and the Economic Process, by Nicholas Georgescu-Roegen

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"Every few generations a great seminal book comes along that challenges economic analysis and through its findings alters men's thinking and the course of societal change. This is such a book, yet it is more. It is a "poetic" philosophy, mathematics, and science of economics. It is the quintessence of the thought that has been focused on the economic reality. Henceforce all economists must take these conclusions into account lest their analyses and scholarship be found wanting. "The entropy of the physical universe increases constantly because there is a continuous and irrevocable qualitative degradation of order into chaos. The entropic nature of the economic process, which degrades natural resources and pollutes the environment, constitutes the present danger. The earth is entropically winding down naturally, and economic advance is accelerating the process. Man must learn to ration the meager resources he has so profligately squandered if he is to survive in the long run when the entropic degradation of the sun will be the crucial factor, "for suprising as it may seem, the entire stock of natural resources is not worth more than a few days of sunlight!" Georgescu-Rogen has written our generation's classic in the field of economics."Library Journal

• Sales Rank: #2281875 in Books
• Color: Other
• Published on: 1999-11-23
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.19" w x 6.00" l, 1.56 pounds
• Binding: Paperback
• 476 pages

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1 of 1 people found the following review helpful.
Georgescu-Roegen: a missed Nobel prize
By ClaudioC
Nicholas Georgescu-Roegen's fame is due to his book The Entropy Law and Economic Process (1971) in which NGR conjugates thermodynamics and economics. But his importance for political economy goes far before the publication of this book and involves many different aspects of the analysis. While the complete theoretical framework described by NGR has been frequently contested, his analysis of the production process has been considered as truly innovative and useful, by many points of view.

0 of 0 people found the following review helpful.
Four Stars
By P. Chen
good book

11 of 12 people found the following review helpful.
Brilliant, but not Perfect
By Gabriel A. Lozada
It must be admitted that Georgescu-Roegen's understanding of entropy was flawed. He, along with many other authors including physicists, thought entropy was a measure of disorder. It is not. That entropy is not a measure of disorder is discussed in a recent scholarly article by chemistry Prof. Frank Lambert, who has a nice web site devoted to the topic. More to the point, it was also discussed in Beard and Lozada's book about Georgescu-Roegen (p. 88, "Economics, Entropy, and the Environment: The Extraordinary Economics of Nicholas Georgescu-Roegen"). It's not easy to say what entropy actually is, but it is straightforward for scientists to measure that, say, the standard entropy of one mole of iron (about 55.8 grams of iron) is 27.7 Joules per Kelvin.

While Georgescu wasn't completely right about all of entropy's aspects, his attacks on Boltzmann's H-Theorem, and on the "information as entropy" school, show completely correct understanding of other aspects of entropy. Furthermore, in his indictment of neoclassical dynamic economics, he was the vanguard of critics who decry slavish devotion to mathematical models which assume we know the future (at least probabalistically). Absorbing Georgescu's lessons would've spared Economics Nobel Laureates Merton and Scholes their disastrous experience running the failed hedge fund Long-Term Capital Management (described in the book "When Genius Failed"): change happens, the past does not always predict the future, and the consequences of one's actions sometimes cannot be imagined by anyone. When investing money, that's a good perspective; when talking about man's effect on the environment, as Georgescu was, it's a perspective that could save the planet.

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[X567.Ebook] Get Free Ebook Musimathics: The Mathematical Foundations of Music (MIT Press) (Volume 1), by Gareth Loy

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"Mathematics can be as effortless as humming a tune, if you know the tune," writes Gareth Loy. In Musimathics, Loy teaches us the tune, providing a friendly and spirited tour of the mathematics of music -- a commonsense, self-contained introduction for the nonspecialist reader. It is designed for musicians who find their art increasingly mediated by technology, and for anyone who is interested in the intersection of art and science.

In Volume 1, Loy presents the materials of music (notes, intervals, and scales); the physical properties of music (frequency, amplitude, duration, and timbre); the perception of music and sound (how we hear); and music composition. Calling himself "a composer seduced into mathematics," Loy provides answers to foundational questions about the mathematics of music accessibly yet rigorously. The examples given are all practical problems in music and audio.

Additional material can be found at http://www.musimathics.com.

• Sales Rank: #192141 in Books
• Published on: 2011-08-19
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 7.00" l, 1.60 pounds
• Binding: Paperback
• 504 pages

Review

From his long and successful experience as a composer and computer-music researcher, Gareth Loy knows what is challenging and what is important. That comprehensiveness makes Musimathics both exciting and enlightening. The book is crystal clear, so that even advanced issues appear simple. Musimathics will be essential for those who want to understand the scientific foundations of music, and for anyone wishing to create or process musical sounds with computers.

(Jean-Claude Risset, Laboratoire de M�canique et d'Acoustique, CNRS, France)

Musimathics is destined to be required reading and a valued reference for every composer, music researcher, multimedia engineer, and anyone else interested in the interplay between acoustics and music theory. This is truly a landmark work of scholarship and pedagogy, and Gareth Loy presents it with quite remarkable rigor and humor.

(Stephen Travis Pope, CREATE Lab, Department of Music, University of California, Santa Barbara)

About the Author
Gareth Loy is a musician and award-winning composer. He has published widely and, during a long and successful career at the cutting edge of multimedia computing, has worked as a researcher, lecturer, programmer, software architect, and digital systems engineer. He is President of Gareth, Inc., a provider of software engineering and consulting services internationally.

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60 of 64 people found the following review helpful.
Excellent book combines music, math, and programming
By calvinnme
After about a ten year hiatus on books of this type being published, this is one of several new books combining mathematics, music, and programming aimed at musicians who want to know more about the math behind their musical compositions and are not content to just know what drop-down windows to click on using the latest musical software. The book starts with the basics of music and sound and works up to basic music theory, physics and sound, and acoustics and psychoacoustics. The final chapter of the book is the most interesting, since it concerns mathematics and composition techniques using the author's C++ based library "Musimat". Both this book and Musimat have companion websites, although the Musimat site is the most interesting with plenty of downloads in case you are interested in how to use this compositional library. There is a volume two scheduled for release in Spring 2007 that gets into signal processing, the role of digital signals, and the wave equation, so together they are a very complete treatise on math, music, and programming aimed at the musical composer. I highly recommend it. Of course, if you want to dig deep into individual subjects such as acoustics and psychoacoustics, you are going to need additional references. But this text is clear enough to get you started. The following is the table of contents:

1 Music and Sound 1

1.1 Basic Properties of Sound 1

1.2 Waves 3

1.3 Summary 9

2 Representing Music 11

2.1 Notation 11

2.2 Tones, Notes, and Scores 12

2.3 Pitch 13

2.4 Scales 16

2.5 Interval Sonorities 18

2.6 Onset and Duration 26

2.7 Musical Loudness 27

2.8 Timbre 28

2.9 Summary 37

3 Musical Scales, Tuning, and Intonation 39

3.1 Equal-Tempered Intervals 39

3.2 Equal-Tempered Scale 40

3.3 Just Intervals and Scales 43

3.4 The Cent Scale 45

3.5 A Taxonomy of Scales 46

3.6 Do Scales Come from Timbre or Proportion? 47

3.7 Harmonic Proportion 48

3.8 Pythagorean Diatonic Scale 49

3.9 The Problem of Transposing Just Scales 51

3.10 Consonance of Intervals 56

3.11 The Powers of the Fifth and the Octave Do Not Form a Closed System 66

3.12 Designing Useful Scales Requires Compromise 67

3.13 Tempered Tuning Systems 68

3.14 Microtonality 72

3.15 Rule of 18 82

3.16 Deconstructing Tonal Harmony 85

3.17 Deconstructing the Octave 86

3.18 The Prospects for Alternative Tunings 93

3.19 Summary 93

3.20 Suggested Reading 95

4 Physical Basis of Sound 97

4.1 Distance 97

4.2 Dimension 97

4.3 Time 98

4.4 Mass 99

4.5 Density 100

4.6 Displacement 100

4.7 Speed 101

4.8 Velocity 102

4.9 Instantaneous Velocity 102

4.10 Acceleration 104

4.11 Relating Displacement,Velocity, Acceleration, and Time 106

4.12 Newton's Laws of Motion 108

4.13 Types of Force 109

4.14 Work and Energy 110

4.15 Internal and External Forces 112

4.16 The Work-Energy Theorem 112

4.17 Conservative and Nonconservative Forces 113

4.18 Power 114

4.19 Power of Vibrating Systems 114

4.20 Wave Propagation 116

4.21 Amplitude and Pressure 117

4.22 Intensity 118

4.23 Inverse Square Law 118

4.24 Measuring Sound Intensity 119

4.25 Summary 125

5 Geometrical Basis of Sound 129

5.1 Circular Motion and Simple Harmonic Motion 129

5.2 Rotational Motion 129

5.3 Projection of Circular Motion 136

5.4 Constructing a Sinusoid 139

5.5 Energy of Waveforms 143

5.6 Summary 147

6 Psychophysical Basis of Sound 149

6.1 Signaling Systems 149

6.2 The Ear 150

6.3 Psychoacoustics and Psychophysics 154

6.4 Pitch 156

6.5 Loudness 166

6.6 Frequency Domain Masking 171

6.7 Beats 173

6.8 Combination Tones 175

6.9 Critical Bands 176

6.10 Duration 182

6.11 Consonance and Dissonance 184

6.12 Localization 187

6.13 Externalization 191

6.14 Timbre 195

6.15 Summary 198

6.16 Suggested Reading 198

7 Introduction to Acoustics 199

7.1 Sound and Signal 199

7.2 A Simple Transmission Model 199

7.3 How Vibrations Travel in Air 200

7.4 Speed of Sound 202

7.5 Pressure Waves 207

7.6 Sound Radiation Models 208

7.7 Superposition and Interference 210

7.8 Reflection 210

7.9 Refraction 218

7.10 Absorption 221

7.11 Diffraction 222

7.12 Doppler Effect 228

7.13 Room Acoustics 233

7.14 Summary 238

7.15 Suggested Reading 238

8 Vibrating Systems 239

8.1 Simple Harmonic Motion Revisited 239

8.2 Frequency of Vibrating Systems 241

8.3 Some Simple Vibrating Systems 243

8.4 The Harmonic Oscillator 247

8.5 Modes of Vibration 249

8.6 A Taxonomy of Vibrating Systems 251

8.7 One-Dimensional Vibrating Systems 252

8.8 Two-Dimensional Vibrating Elements 266

8.9 Resonance (Continued) 270

8.10 Transiently Driven Vibrating Systems 278

8.11 Summary 282

8.12 Suggested Reading 283

9 Composition and Methodology 285

9.1 Guido's Method 285

9.2 Methodology and Composition 288

9.3 Musimat: A Simple Programming Language for Music 290

9.4 Program for Guido's Method 291

9.5 Other Music Representation Systems 292

9.6 Delegating Choice 293

9.7 Randomness 299

9.8 Chaos and Determinism 304

9.9 Combinatorics 306

9.10 Atonality 311

9.11 Composing Functions 317

9.12 Traversing and Manipulating Musical Materials 319

9.13 Stochastic Techniques 332

9.14 Probability 333

9.15 Information Theory and the Mathematics of Expectation 343

9.16 Music, Information, and Expectation 347

9.17 Form in Unpredictability 350

9.18 Monte Carlo Methods 360

9.19 Markov Chains 363

9.20 Causality and Composition 371

9.21 Learning 372

9.22 Music and Connectionism 376

9.23 Representing Musical Knowledge 390

9.24 Next-Generation Musikalische W�rfelspiel 400

9.25 Calculating Beauty 406

Appendix A 409

A.1 Exponents 409

A.2 Logarithms 409

A.3 Series and Summations 410

A.4 About Trigonometry 411

A.5 Xeno's Paradox 414

A.6 Modulo Arithmetic and Congruence 414

A.7 Whence 0.161 in Sabine's Equation? 416

A.8 Excerpts from Pope John XXII's Bull Regarding Church Music 418

A.9 Greek Alphabet 419

Appendix B 421

B.1 Musimat 421

B.2 Music Datatypes in Musimat 439

B.3 Unicode (ASCII) Character Codes 450

B.4 Operator Associativity and Precedence in Musimat 450

28 of 29 people found the following review helpful.
Extraordinary Beyond the Title, a must for all Math Lovers
By Let's Compare Options Preptorial
The sad thing about this series is that the keywords that invite readers to stop by, hide the fact that these texts go far beyond music, to USE music as a gentle introduction to extremely complex, relevant and timely math concepts. The best teachers use four paths to explain a math concept: verbal, formulaic, algorithmic and pictographic. These help the brain comprehend the topic regardless of our learning modality. The authors here are simply MASTERFUL math teachers, and clarify everything from Eulers Law (relation of e, the base of the natural logarithms to pi, the base of the trig functions) to Fourier Transforms, in a way that a bright High School student will get. If you've been out of math (any math) for a long time, and want a masterful review of math concepts and techniques, this series is THE place to start. You can then extend that foundation to many other applied areas, from signal processing to physics, voice recognition, etc. Fourier transforms (and their more recent spin off in Cepstrums) are being used in too many fields to list today, from radar and electronic engineering, to whale songs.

In every section, the author's excitement is contagious. Rather than give a bunch of dry proofs that reek of hubris and disregard for the reader, Gareth uses a "curious mind" tone, as if he were just learning and discovering this too, like a kind of puzzle or murder mystery. Loy is Monk, Holmes and Columbo combined. For example, he gives a few expansion series for e, then says: "Wow, there seems to be a striking and beautiful pattern here, doesn't there? Wonder what it can be?" Leave it to a guy into both math and music to see the wonder in a time series!

One more example. Any texts on waveforms have to involve deep calculus, especially PDE's. Unfortunately, deep PDE's don't happen until grad school. But, rather than assume the reader uses calculus all day long, Loy starts with the basics at "now let's see how the first derivative is actually slope finding and integration is the area covered by the moving curve..." including those perhaps more musically inclined who have forgotten what a derivative is. Astonishingly, Loy sneaks around the dry topic of limits to use MUSIC as a great practical refesher on calculus (p. 263 of the second volume, in the section that is the hottest topic in Physics today, from Astronomy to Medical Imaging to of course music: Resonance).

Gareth is one of the few mathematicians around who can relate math to the astonishment of life around us. After all, our brain is doing advanced Fourier Transforms every time we cross a street in traffic, and when we get an MRI, the Fourier Transforms that convert magnetic alignment to pictures are assuming that the atoms in our body are a song, which when pulsed with a radio wave, will sing the positions of their water molecules back to us in harmonics that can be seen as well as heard.

Highly recommend this series, not only for everyone interested in math and music, but math and life!

0 of 0 people found the following review helpful.
Four Stars
By Matthew
This is an excellent treatise on the subject.

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• Published on: 1705
• Binding: Paperback

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[V446.Ebook] Free PDF Final Cut: Art, Money, and Ego in the Making of Heaven's Gate, the Film that Sank United Artists, by Steven Bach

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Heaven's Gate is probably the most discussed, least seen film in modern movie history. Its notoriety is so great that its title has become a generic term for disaster, for ego run rampant, for epic mismanagement, for wanton extravagance. It was also the film that brought down one of Hollywood’s major studios—United Artists, the company founded in 1919 by Douglas Fairbanks, Mary Pickford, D. W. Griffith, and Charlie Chaplin. Steven Bach was senior vice president and head of worldwide production for United Artists at the time of the filming of Heaven's Gate, and apart from the director and producer, the only person to witness the film’s evolution from beginning to end. Combining wit, extraordinary anecdotes, and historical perspective, he has produced a landmark book on Hollywood and its people, and in so doing, tells a story of human absurdity that would have made Chaplin proud.

• Sales Rank: #547114 in Books
• Brand: Brand: Newmarket Press
• Published on: 1999-08-16
• Released on: 1999-08-16
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .86" w x 6.00" l, 1.26 pounds
• Binding: Paperback
• 432 pages

Features

• Used Book in Good Condition

From The New Yorker
The best account of American moviemaking in the age of conglomerate control of the studios.

Review
"The best account of American moviemaking in the age of conglomerate control of the studios." — Pauline Kael, The New Yorker

"A landmark book on movies…must reading!" —Kirkus Reviews

"A compulsively readable account of adventures in the film trade. An intimate view of what goes on in the corridors of Hollywood power…distinguished by its awesome objectivity." —David Brown, The Zanuck Brown Co.

"Buffs will love this one…inside and fascinating looks at Woody Allen, Francis Ford Coppola, Peter Sellers, writer William Goldman, Dino De Laurentiis, Truman Capote, Martin Scorsese, et al." —Newsday

"A riveting, witty and essentially heartbreaking chronicle of a catastrophe…" —Peter Bogdanovich, director of The Last Picture Show

"One of the few indispensable books about Hollywood." —Jack Kroll, Newsweek

About the Author

Steven Bach has been associated with the motion pictures Sleuth, The Parallax View, The Taking of Pelham One Two Three, and The French Lieutenant's Woman, in addition to Heaven's Gate. He also taught film at Columbia University. Bach passed away in March 2009.

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3 of 3 people found the following review helpful.
Schadenfreude in spades
By Frank J. Edwards
After seeing a reissued "director's cut" version of "Heaven's Gate," the movie so expensive to produce and so poorly received by the critics in 1980 that it destroyed Michael Cimino's reputation as a director and led to the demise of United Artists, I sought out this book by one of the United Artist producers involved in the project (and who also lost his job in the aftermath). It's a fascinating story. How could Ciminio--who had just come from making "The Deer Hunter," which netted him Academy Awards for best picture and best director--have created such a mess? Vastly exceeding its budget, "Heaven's Gate" was visually spectacular but had a poor sound track and a story that verged on incoherence at times. Why did United Artists let him do it? This book tells the story in great detail and Steven Bach was a fine writer. The most interesting parts, however--the Cimino story--gets lost from time to time in Bach's efforts to paint a comprehensive picture of United Artist's glorious history (it was founded by Mary Pickford, Charlie Chaplin and Douglas Fairbanks) as well as describing the Hollywood system of movie making in general. I found myself skipping parts. But, that being said, it's a great read and a fabulous story of hubris and Hollywood finances.

0 of 0 people found the following review helpful.
When Art Meets Business!!
By Johnny G
Must read for anyone interested in film making and the business of distribution. While art is important to some this still is a business that needs "product." Self indulgence too often results in a product that no one wants except the i individual who indulged himself. This is an inside baseball book that the late Mr. Bach wrote with honesty and passion.

1 of 1 people found the following review helpful.
A Steven King story come to life.
By Hans Visser
Not so much that it is horror (people aren't dying or being stalked by monsters), but in how the process of making the film started out wrong, and continues to get more and more wrong at every step. As a history, you know how it'll end, but it's still almost depressing how at each step the execs make wrong decision after wrong decision, throwing good money after bad. If Bach is to be believed, he and his confederates were so desperate for a defining hit that they simply talked themselves into a disaster, didn't have the guts or experience or self-preservation instinct to cut their losses and then the piper was paid.

Cimino comes across as someone who simply needed to be told no on occasion and forced to work within limits, and the early rejection of his Fountainhead idea shows that that was probably possible. But once the train started rolling, nothing save a miraculous Citizen Kane level result would have saved the day, and Heaven's Gate was no miracle. You could tell by the way they caved in to his demand to cast Huppert that the only real option had become ditching the project altogether, but that's not how ego works. Some say it's a masterpiece (though with the sound issues, absurd length and lack of narrative dynamism that's pretty hard to support), but it didn't need to be a masterpiece; it needed to be a hit. It wasn't and it destroyed Cimino's career and UA along with it. We are left to wonder whether a fictional account of a war that never happened was worth it.

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Final Cut: Art, Money, and Ego in the Making of Heaven's Gate, the Film that Sank United Artists, by Steven Bach PDF

Final Cut: Art, Money, and Ego in the Making of Heaven's Gate, the Film that Sank United Artists, by Steven Bach PDF

[Q849.Ebook] Ebook The Scientific Evidences of Organic Evolution, by George John Romanes

Ebook The Scientific Evidences of Organic Evolution, by George John Romanes

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This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

• Published on: 2011-03-30
• Released on: 2011-03-30
• Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
dated but excellent
By Robert Clark
Written in 1882, The Scientific Evidences of Organic Evolution by George Romanes, is obviously a bit dated. That is not a criticism, quite the opposite. Using much less evidence for organic evolution then we have today he not only shows it for the scientifically undebateable reality it represents, but destroys not only the myth of specific creation but also the misguided idea of intelligent design. He uses some of the favorite arguments of intelligent design, such as the evolution of the eye, to show how absurd, and in his word "impious" the concept is. After the scientific arguments Romanes briefly deals with the emotional ones, showing not only that they are ridiculous, but an insult to a supreme being, as that deity would have to be an idiot to have done the things the people who argue for what they call intelligent design claim the deity did. The only criticism of The Scientific Evidences of Organic Evolution come from things Romanes couldn't do anything about, his lack of the evidence we have gathered since his time, things like the genetic and other modern evidence supporting his stance, and the fact that no valid scientific evidence has been found to support those who argue for specific creation or intelligent design

0 of 0 people found the following review helpful.
This book has some good info about Evolution
By Walt
This book has some good info about Evolution, but is a little dated since Romanes was a contemporary of Darwin. Romanes lived 1848-1894.

0 of 0 people found the following review helpful.
No God necessary.
By eldon
I rated this book with five stars because i loved it. It was good to know that life came about as a result of chemical processes.

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