Minggu, 30 Juni 2013

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  • Published on: 1707
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Kamis, 27 Juni 2013

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The buzzword of 1960s popular culture was NEW! NEW! NEW! The 1960s was an extraordinarily creative time for television, as well as the arts, fashion, and music. This book looks at the three most influential and original American television series from that period, The Man from UNCLE, Batman, and The Monkees. It examines the origins, development, and influence on surrounding media of these three pop culture phenomenons, then and today, and provides the most detailed study to date of every single episode of these three series, their feature film versions, and spin-off The Girl from UNCLE, each one a total original that displays 1960s media styles, fashions, and obsessions in all their inspirational glory. This is the story of the secret agent craze, the super-hero fad, and the first boy band—three media phenomena that still influence popular culture today.

  • Sales Rank: #1242667 in Books
  • Published on: 2015-01-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 1.16" w x 7.00" l, 1.95 pounds
  • Binding: Paperback
  • 514 pages

From the Author
Although its beginning was a little more complicated, The Man from UNCLE was conceived quite bluntly as a TV version of James Bond. It became an entity in its own right when development fell to the enormously creative Sam Rolfe, who single-handedly devised the complicated, multi-faceted organisation that was the United Network Command for Law Enforcement--UNCLE. The end result was the most dynamic, complex, fast-paced, action-packed, sexy, and exhilarating adventure show of the 20th century; as the first television series to employ the hand-held camera, the faddish, youth-orientated shows that preceded it moved at a snail's pace in comparison. And with the casting of a co-star who became the most popular MGM actor of all time, UNCLE thawed the Cold War and created the buddy movie.

But with the death of President Kennedy, the brave new world of youthful hope and co-operation that UNCLE represented had taken a severe blow. As a result, The Man from UNCLE became less of a hopeful dream and more an escapist fantasy in the years to follow. UNCLE wanted global peace too, but instead of growing its hair long and throwing flowers around, it wore a dinner suit and used smoke bombs and bullets!

But 1966 was to get wilder still. The Batman TV series had arrived in January, 1966 as a mid-season replacement that, following dire test screenings, ABC had no great hopes for. This colorful and stylish parody of the comic-book character delighted kids and adults alike with its bizarre confrontations between the preposterous cowled boy scout Batman and his obnoxious do-gooding student Robin and marvellous performances from familiar Hollywood character actors as the heroes' eccentric adversaries. It became television's second major fad of the 1960s.

The primary legacy of the Batman TV series was to give everybody in film and TV permission to go completely loopy, and late '60s film and TV still looks quite bizarre because of it. Nowhere was this more evident than in the wacky TV series The Monkees, a half-hour freestyle sit-com imitating the madcap style of the Beatles' feature films. The show was the precursor of the pop video, and the birth of the manufactured boy band, and the onscreen spot gags, parodies, and imaginings of the four leads pre-date series such as The Simpsons and Family Guy by decades. There had been nothing like these three series before. It would be well over twenty years before anyone dared attempt such levels of creativity again.

About the Author
Jon Abbott was born in London, England in June, 1956. Thanks to Huckleberry Hound and Supercar, Jon Abbott has been writing professionally about popular culture for around thirty years, during which time he has written over four hundred articles on American film and television for over two dozen different trade, specialist, and populist publications in the U.K. These have included City Limits, Television Weekly, TV Comic, Video Today, Starburst, Stills, Media Week, Adult Movies on Video, What Video, What Satellite, TV Zone, Time Out, The Face, The DarkSide, Video Buyer, Video World, Cult Times, Comedy Review, SFX, Home Entertainment, Infinity, and Dreamwatch. He has a wide range of interests in 20th century film, television, and music, including gangster films ranging from Cagney through to Corman and Scorsese, classic cartoons, 1950s sci-fi movies, 1960s TV and comics, and 1970s cinema. He is particularly fond of the work of Laurel and Hardy, Phil Silvers, Lucy, Dick Van Dyke, Termite Terrace, Tamla Motown, the Beatles, Hanna-Barbera, Irwin Allen, Gerry Anderson, DC Comics, Marvel Comics, Elvis Presley, Clint Eastwood, Stallone and Schwarzenegger, Jackie Chan, and Stephen J. Cannell. He's also a fan of Tom and Jerry, Republic Serials, The Untouchables, The Outer Limits, The Beverly Hillbillies, The Man from UNCLE, the Daleks, the Adam West Batman, the Emma Peel Avengers, The Invaders, the original Star Trek, Godzilla and Gamera films, pulp magazine covers and pop art, cheesy, sleazy sex films ( and good ones), shameful Italian comedies, Chinese gangster films (especially with Chow Yun Fat), Fawlty Towers, Frasier, and The Sweeney. Despite the above, he doesn't live in the past, because he's bought the best of it into the future with him, and he prefers his i-pad, i-pod, DVDs, and big screen TV to vinyl, censorship, and two-channel television.

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7 of 7 people found the following review helpful.
Great new take on three classic shows!
By Mark Hancock
I just received my copy and begun going through it. So far the writing has been intelligent and insightful. It is clear to me the author very much loves these shows. The book is not so much about learning anything new about the creation of the shows, but rather a fresh perspective on their importance relative to their place in pop culture. The book features an episode guide with thoughtful commentary and analysis for each episode of all three shows. It is full of great pictures too. If you are fan of these shows (and as is the whole point of the book it is impossible to be a fan of one and not all three) it is well worth the price.

1 of 1 people found the following review helpful.
snapshot back into the past
By Kat
This book focuses on three definite series of the sixties, ones who were
often imitated and paved the way for other series.

First part - The Spy craze - The Man from U.N.C.L.E. (and its spinoff The
Girl from U.N.C.L.E.) (I have never seen this show until now. I have heard of
it and I have now purchased the first season to watch)

Second part - The Superhero craze - Batman
(I used to love this show and would watch reruns as a child; I loved the Joker,
The Riddler, Catwoman, Egghead, The Penguin and The Bookworm

Third part - The Boy Band Craze - The Monkees
(again another favorite from childhood as you would watch these zany adventures
with these guys and loved the songs, still do!)

Each part has a full season by season episode guide with summaries and names of the cast and
crew for each show. An interesting look back at this unique shows and each history behind each
of the shows. Also includes other books by the author. Must read if you love these shows!

0 of 0 people found the following review helpful.
Comprehensive and Insightful (and lots of fun too).
By Robert A. Bowers
I have the Kindle edition of this book so I can't comment on features that might be only in the print edition. Mr. Abbott has written a complete, extremely well researched guide to 3 of the most popular shows of the 1960's: "The Man from U.N.C.L.E.", "Batman", and "The Monkees". As a kid, I watched only "U.N.C.L.E". every week, "Batman" in it's beginnings, and "The Monkee's" almost never, but I found what he had to say interesting and perceptive. I didn't always agree with his views (he found one of my favorite "UNCLE" guest actresses "annoying") but his points are clear and he often offers comparisons to other shows of the genre's and information that I had not known before reading this. I did read the entire book and still don't feel I missed much because I never got into "The Monkees", but it was entertaining reading anyway. The detail and research that went into the formation of "cast and crew" information is indeed remarkable and the book is worth it's price for that information alone. Highly recommended if you have any interest in even one of these shows.

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Selasa, 25 Juni 2013

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Immigrant Children: Change, Adaptation, and Cultural Transformation, by Susan S. Chuang

Over the past several decades, the demographic populations of many countries such as Canada as well as the United States have greatly transformed. Most striking is the influx of recent immigrant families into North America. As children lead the way for a 'new' North America, this group of children and youth is not a singular homogenous group but rather, a mosaic and diverse ethnic, racial, and cultural group. Thus, our current understanding of 'normative development' (covering social, psychological, cognitive, language, academic, and behavioral development), which has been generally based on middle-class Euro-American children, may not necessarily be 'optimal' development for all children. Researchers are widely recognizing that the theoretical frameworks and models of child development lack the sociocultural and ethnic sensitivities to the ways in which developmental processes operate in an ecological context. As researchers progress and develop promising forms of methodological innovation to further our understanding of immigrant children, little effort has been placed to collectively organize a group of scholarly work in a coherent manner. Some researchers who examine ethnic minority children tended to have ethnocentric notions of normative development. Thus, some ethnic minority groups are understood within a 'deficit model' with a limited scope of topics of interest. Moreover, few researchers have specifically investigated the acculturation process for children and the implications for cultural socialization of children by ethnic group. This book represents a group of leading scholars' cutting-edge research which will not only move our understanding forward but also to open up new possibilities for research, providing innovative methodologies in examining this complex and dynamic group. Immigrant Children: Change, Adaptation, and Cultural Transformation will also take the research lead in guiding our current knowledge of how development is influenced by a variety of sociocultural factors, placing future research in a better position to probe inherent principles of child development. In sum, this book will provide readers with a richer and more comprehensive approach of how researchers, social service providers, and social policymakers can examine children and immigration.

  • Sales Rank: #982961 in eBooks
  • Published on: 2011-06-16
  • Released on: 2013-10-29
  • Format: Kindle eBook

Review
As societies located in North America, Western Europe, and elsewhere are growing increasingly multicultural and multiracial in nature, social scientists, educators, service providers, and policy makers are confronted with the difficult task of understanding the new generations of immigrant and refugee children growing up in our midst. In this volume, a team of leading experts provides new information and guidelines essential to achieving this goal. They discuss a broad range of pertinent topics and are especially successful in linking basic research findings to policy recommendations and the perspectives of service providers. (Uwe Gielen, St. Francis College)

About the Author
Susan S. Chuang is associate professor in the department of family relations & applied nutrition at the University of Guelph, Canada.
Robert P. Moreno is associate professor in the department of child and family studies at Syracuse University.

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Minggu, 23 Juni 2013

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Drug-Facilitated Sexual Assault: A Forensic Handbook, by Ashraf Mozayani, Ashraf Mozayani (Editor) Marc A. LeBeau (Editor)

  • Published on: 2001-09-05
  • Binding: Hardcover

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Kamis, 20 Juni 2013

[D922.Ebook] Ebook Free Beyond The Sky: A Lifetime of Alien Contact, by Landi B. Mellas

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Beyond The Sky: A Lifetime of Alien Contact, by Landi B. Mellas

From the age of seven, Landi has experienced interactions with beings - both ET and spiritual - from another realm and dimension. In this book we experience her fears, doubts, and her gradual acceptance of the fact that WE ARE NOT ALONE AND NEVER HAVE BEEN.

  • Sales Rank: #3602870 in Books
  • Published on: 2011-10-18
  • Dimensions: 8.50" h x .47" w x 5.50" l,
  • Binding: Paperback
  • 206 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
A defining read
By Michael Geldmacher
This book is an excellent book as a first read for those questioning or exploring awareness. It is the book that opened my eyes.

0 of 1 people found the following review helpful.
I dont want to say anything
By Nancy C. Goff
It was very thought provoking. That was enough words. Why can't you just accept a star rating. I didn't plan to do a book report

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Rabu, 12 Juni 2013

[G701.Ebook] Ebook Seized by Love, by Susan Johnson

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Seized by Love, by Susan Johnson

Well versed in the sensual arts, Prince Nikolai Kuzan wagers that he will be able to seduce the chaste Alsia Forseus in three days and steal her from her husband, but the lark turns serious when Kuzan finds himself falling in love.

  • Sales Rank: #54686 in eBooks
  • Published on: 2010-03-25
  • Released on: 2010-03-31
  • Format: Kindle eBook

About the Author
Award-winning, nationally bestselling author Susan Johnson lives in the country near North Branch, Minnesota. She is a former art historian.

Most helpful customer reviews

37 of 39 people found the following review helpful.
Realism, whether you like it or not...
By A Customer
I read most anything by Susan Johnson, although I don't like everything she writes. By far, the biggest reason that I read her is her ability to meld history and sex with wit and style. Outlaw, for instance, has some genuinely good writing and well-researched history.
Reading this book, however, was kind of a shock. You talk about spousal abuse... The heroine's first husband was a physically abusive demented religious zealot many decades her senior, her lover (the hero) turns out to be a psychologically abusive man who desires her (and her submission) obsessively. My initial reaction to this book was "ick."
Upon reflection, though, I have truly come to appreciate this book. It is in no way a typical romance story; if you are looking for "maltreated virginal heroine finds sappy romance with adoring lover" this book is NOT for you. But Johnson's hallmark is historical realism, and let's be honest, Tzarist Russia was not exactly a hotbed of women's rights.
I have hashed this out with friends who argue that romantic fiction is exatly that - not intended to be realistic. On the other hand, the "bad boy" figure in romance tends to be a neutered caricature: rake until he meets the perfect sex partner, then he's just as tame as can be. This book presents the hero as a true bad boy, atrocious ego and all. The scene where Nikki comes from a liason with a former mistress to a pregnant Alissa's bed is a perfect example of this - revolting to modern sensibilities, but probably not out of the norm for a Russian prince 250 years ago.
So, thank you Ms. Johnson for injecting a true note of reality - along with some great sex scenes - into the world of romance.

16 of 17 people found the following review helpful.
Susan Johnson 's #1 fan
By LuvGirl
Dear readers , I love reading about bad boys, and there is no boy badder, than Nikki Kuzan! If you are softhearted and can't handle the drama that a bad boy is going to bring, then this book is not for you, but to all the others whose a little on the wild side, go an take a ride with Nikki Kuzan. It seems to me that Susan Johnson knows every women's fantasies. Nikki is not your average romance hero. He is the kind of hero you save for your naughty dreams. He is devastatingly sexy, hard to get, and every women wants him. Who does he want? (Alisa). He might not show it in the conventional way, but show it he does! Alisa is a wonderful and realistic heroine, because it doesn't matter what era we are living in, there will allways be women who rebels against there plight, and take a chance on something better. Put aside how wonderful Alisa and Nikky are, the story in itself was magnifecent. Susan Johnson captivates you with her writing. I was hooked from the first page. It took me one day to finish this book. Heroes like Nikki are the very reason I started reading historical romances and not contemporary. The men of that era were very dominant and so different from the men of today, but men like Nikky should be left for your fantasies, and I want to live out my fantasies in every book that I read! That is why I think Susan Johnson is such a refreshing author. She was bold enough to write a romance novel like this for all the people who wanted to read something more daring, and for that I am her biggest fan!

14 of 16 people found the following review helpful.
What's all the fuss about?
By SusieQ
You would think, from Ms. Johnson's own apologia in the preface of this book, together with the reviews here on Amazon, that the plot and characters' behavior(s) in this novel made it the biggest Neanderthal throwback to the dark ages of romance novels ever.

Well, I was pleasantly surprised. Nikolai may not be the most evolved 19th century gentleman ever created, but he's a typical product of his time (fabulously wealthy, Russian, aristocrat). The heroine, Alisa, has spunk and speaks up against Nikki when he's just too obnoxious; she's not a wimp, just (again) a product of her time...Women were in the control of men during the 19th century, in all countries, and our latter-day freedoms were hard wins. As for the sensuality & "scenes", well, frankly, I've read books that poured it on much, much more raunchily than Ms. Johnson does here; it's all pretty basic! (That's a good thing, it's not a negative!) Having never read anything by Ms. Johnson before, I can say I enjoyed this novel and would read more by her; she's a good writer. I think the relationship between Nikki & Alisa was just "romantic" enough, considering the protagonists involved & the times they were living in, and the end, when Nikki finally comes around to confessing his love for Alisa, is super.

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[O736.Ebook] Free PDF Principles of Stratigraphy, by Michael E. Brookfield

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Principles of Stratigraphy, by Michael E. Brookfield

Principles of Stratigraphy reafferms the vital importance of stratigraphy to the earth sciences, and introduces the undergraduate to its key elements in a lively and interesting fashion.


  • First recent text devoted to stratigraphic principles and applications.
  • Contains details of the latest stratigraphic techniques.
  • Includes numerous case studies and real-world examples.

An Instructor manual CD-ROM for this title is available. Please contact our Higher Education team at HigherEducation@wiley.com for more information.

  • Sales Rank: #3328357 in Books
  • Published on: 2004-02-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.70" h x .88" w x 7.40" l, 1.52 pounds
  • Binding: Paperback
  • 340 pages

Review
"In brief, it is a concise, beautifully illustrated...and clearly written source that certainly enriches the market...Brookfield succeeds in transporting not only his fascination, dedication and long-ranging experience with the topic and the sharp knife of scientific thinking, but also the necessary broad, almost interdiscplinary view that helps to successfully solve the complex problems with stratigraphic work poses." Journal of Soils and Sediments, November 2005

"...the book will be an interesting and useful guide for students to provide a foundation for future study and help towards a better understanding of the subject." Geology Today, January 2005

Review
"In brief, it is a concise, beautifully illustrated...and clearly written source that certainly enriches the market...Brookfield succeeds in transporting not only his fascination, dedication and long-ranging experience with the topic and the sharp knife of scientific thinking, but also the necessary broad, almost interdiscplinary view that helps to successfully solve the complex problems with stratigraphic work poses." Journal of Soils and Sediments, November 2005

"...the book will be an interesting and useful guide for students to provide a foundation for future study and help towards a better understanding of the subject." Geology Today, January 2005

From the Back Cover
Principles of Stratigraphy reaffirms the vital importance of stratigraphy to the earth sciences, and introduces the undergraduate to its key elements in a lively and interesting fashion.

In Part I the author outlines key concepts including the foundations of sedimentology and sedimentary environments. Part II elucidates the basic principles of stratigraphic analysis, while Part III shows how stratigraphy is used in understanding sedimentary basin evolution, the interplay between tectonics and sedimentation, paleoenvironmental reconstruction, paleoclimatology, and the geologic history of other planets. There is also a chapter devoted to “problem” periods in earth history, where both the strengths and limitations of stratigraphic methods are illustrated.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great introductory to stratigraphy and sedimentology
By robroy33in
If you're a undergraduate student or amateur geologist and need a firm grasp of stratigraphy, this should be the first book you reach for to understand the basic concepts. Well written with easily structured terminology, and a proper sequence of introducing often complex idea's that walk you through the principles of stratigraphy and the many sub-disciplines that set the foundation of the subject. This is a great introduction before moving on to Reading, Miall, and Leeder....

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[S373.Ebook] Ebook Free A Web for Everyone: Designing Accessible User Experiences, by Sarah Horton, Whitney Quesenbery

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A Web for Everyone: Designing Accessible User Experiences, by Sarah Horton, Whitney Quesenbery

If you are in charge of the user experience, development, or strategy for a web site, A Web for Everyone will help you make your site accessible without sacrificing design or innovation. Rooted in universal design principles, this book provides solutions: practical advice and examples of how to create sites that everyone can use.

  • Sales Rank: #645216 in Books
  • Published on: 2014-01-16
  • Number of items: 1
  • Binding: Paperback
  • 288 pages

Review
I've been waiting for this book the book that changes the discussion from "How do I meet accessibility requirements," to thinking of accessibility as a driver for innovation and excellent user experience design. --Dana Chisnell, co-author of Handbook of Usability Testing

Accessibility isn't just about providing a great experience for the disabled it's what will enable you to connect with all your users, regardless of which device they use to go online. --Karen McGrane, author of Content Strategy for Mobile

Do yourself a favor and read it. By the time you re done, you ll understand that accessibility isn t something you tack on to a good design—it is good design. --Steve Krug, author of Don't Make Me Think: A Common Sense Approach to Web Usability

Accessibility isn't just about providing a great experience for the disabled it's what will enable you to connect with all your users, regardless of which device they use to go online. --Karen McGrane, author of Content Strategy for Mobile

Do yourself a favor and read it. By the time you re done, you ll understand that accessibility isn t something you tack on to a good design—it is good design. --Steve Krug, author of Don't Make Me Think: A Common Sense Approach to Web Usability

Accessibility isn't just about providing a great experience for the disabled it's what will enable you to connect with all your users, regardless of which device they use to go online. --Karen McGrane, author of Content Strategy for Mobile

Do yourself a favor and read it. By the time you re done, you ll understand that accessibility isn t something you tack on to a good design—it is good design. --Steve Krug, author of Don't Make Me Think: A Common Sense Approach to Web Usability

About the Author
Sarah Horton is a consultant for strategic planning for websites and web applications. She also does accessibility and usability reviews. Sarah started her career in interaction design in 1991 at the Yale Center for Advanced Instructional Media, creating award-winning interactive instructional software. She was an instructional technologist at Dartmouth College for 11 years before becoming director of web strategy and design. As director, she was responsible for planning and developing Dartmouth's digital environment, and she led a team of user-experience professionals responsible for web and media design, development, and production. More recently, Sarah was Web Strategy Project Lead at Harvard University, responsible for strategy and user experience design for the Harvard Web Publishing Initiative. Sarah is currently Director of Accessible User Experience and Design with The Paciello Group. Sarah is co-author with Patrick Lynch of Web Style Guide, now in its third edition and translated into at least eight languages. She also wrote Web Teaching Guide, which in 2000 won the American Association of Publishers award for best book in computer science. Her third book, Access by Design, combines the disciplines of universal design, accessibility, and usability into guidelines for designing websites that are universally usable.

Whitney Quesenbery is a user researcher, user experience practitioner, and usability expert with a passion for clear communication. She has been in the field for too many years, working with organizations from The Open University to the National Cancer Institute. She enjoys learning about people around the world and using those insights to design products where people matter. Before a little beige computer seduced her into software, usability, and interface design, she was a lighting designer in the theater. Like every other element of the production, lighting has to help tell the story. The scenery, lighting, costumes, direction and acting all have to work together tell the same story. She learned a lot about the craft of storytelling from watching hours of rehearsals. Whitney has served as president of the Usability Professionals' Association (UPA), on the boards of the Center for Plain Language and UXnet, and as a manager of the Society for Technical Communication (STC) Usability and User Experience Community. As a member of two U.S. government advisory committees, she is working to update accessibility requirements and to improve the usability and accessibility of voting systems for U.S. elections. Whitney is a frequent author and presenter in industry events and is a contributor to UXmatters.com. Her first publication on storytelling was a book chapter on "Storytelling and Narrative" in The Personas Lifecycle, by John Pruitt and Tamara Adlin. She's also proud that her chapter "Dimensions of Usability" in Content and Complexity turns up on so many course reading lists. You can find Whitney on Twitter @whitneyq.

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4 of 4 people found the following review helpful.
At last: the book we need now on accessibility
By C. Jarrett
Some dozen years ago, I had a conversation with a web developer that went like this:

Him:"Our web site meets WCAG triple A"
Me:"But do you know whether people with disabilities can use it?"

Of course, he was right to be proud of his achievement. The WCAG guidelines, published by the Web Accessibility Initiative (WAI) of the W3C consortium, are "a single shared standard for web content accessibility". It's important to meet them.

But I was also right. The purpose of the guidelines, and of all accessibility initiatives, is to create things that people with disabilities can use. For example: my father. His sight is no longer good enough for him to be able to drive, so now grocery shopping happens online. He struggles to read anything on paper, but the web means he can continue his historical research.

Up to now, there were books and resources about making things work for people with disabilities, and there was WCAG. But there were lots of gaps between them.

Sarah Horton and Whitney Quesenbery have magnificently filled those gaps with this book. I'm going to declare an interest: they shared an early draft with me. At that stage, their intention was clear and what I wanted. But I hope they won't mind if I reveal that the draft I saw was best described as a muddle. I cheered them on - but between you and me, I wondered if they'd manage to deliver.

Well, they certainly did. A remarkably short time later, I got back my copy. Wow! This was the book that I wanted them to write. It's clear, it's engaging, it's practical. It's about making things work for people with disabilities. And it explains how what we need to do relates to the WCAG standard.

Buy it, read it, use it.

4 of 4 people found the following review helpful.
Great foundation for educating new and experienced Accessibility Specialists, UX Designers, and Web Developers
By My Opinion
This book is well organized and written in “plain language”. It’s a great read for both beginner and experienced accessibility, UX, and web development professionals.

The book takes a unique user-centered design approach to explaining web accessibility through a series of “personas” (characterizations explaining how users with different abilities approach using the web). Each chapter also includes a mapping of the chapter’s Accessible User Experience (UX) principles to the relevant WCAG 2.0 web accessibility principles (POUR) and requirements.

The personas and examples included in this book help to tell the story of why web accessibility is so important in the daily lives of many people. Moreover, the personas go beyond "traditional" examples of people with disabilities (e.g., a blind user using a screen reader to access a web page or a deaf user who requires closed captions for multimedia content). The “Lea” persona, for instance, breathes life into the “invisible” disability of fibromyalgia and explains how important keyboard accessibility is in reducing Lea’s fatigue in the workplace.

5 of 6 people found the following review helpful.
Making Accessibility Accessible for designers, programmers and testers
By Michael Larsen
When I started working at my current company, I came in right at a time when we were working on a large Accessibility project. For those not familiar with the term Accessibility, it’s the variety of standards, tools, and devices that collectively allow for individuals with disabilities to get access to the information, either on their systems or on the web, and interact with it as seamlessly as everyday users that do not have disabilities.

There are several standards that can be referenced and used as starting points for understanding accessibility, and a variety of tools, both free and commercial, exist to help the programmer and tester address accessibility issues, create fixes, and test them to see if they work as intended. Over the past year, Accessibility has become a focal point of my testing practice, one I didn’t spend much time thinking about or doing prior to working here.

While it’s important to understand accessibility, it would be even better if more people were to give thought to accessibility and testing for accessibility in their design decisions, and early in the process make the case that Accessibility to all users (or as many as possible) is an important part of our mission as product owner, creators, designers and testers. Sarah Horton and Whitney Quesenbery approach this challenge and this mission with their book “A Web For Everyone”. More than just ways to code and test for accessibility, this book attempts to help anyone who creates software applications to develop the understanding and the empathy necessary to make design decisions that truly help to make "A Web for Everyone" possible.

So how do Horton and Quesenbery score on this front?

Chapter 1 lays out the case for why we all should consider creating A Web for Everyone, and using the “Principles of Inclusive Design” (POUR) at the outset. Inclusive design can be seen as the cross section of good design, usability and accessibility. The Web Content Accessibility Guidelines (WCAG) 2.0 standard is introduced, which encompasses various accessibility standards in use in the U.S., the U.K., the European Union, etc. Pour uses seven principles for helping design products that work for the widest range of abilities. Equitable, Flexible, Simple, Intuitive, Perceptible, Tolerant and Considerate of Space and Effort make up the core of POUR. This chapter also focuses on Design Thinking, which emphasizes understanding the human needs first, rather than letting the technology dictate the scope or direction. Combining WCAG, POUR, universal design, and design thinking, starting with the user experience, we can make great strides in designing sites and applications that allow for the greatest possibility of use by a broad variety of users and ability levels.

Chapter 2 introduces us to the idea of People First Design by introducing us to eight different people. To those unfamiliar with the idea of “personas”, this is a great introduction, and a really nice modeling of the idea. Rather than make eight abstract personas, the book outlines eight people in quite specific detail; their physical and cognitive abilities, their skill with technology and understanding/knowledge, and attitudes (motivation, emotions & determination) are fleshed out so that we can relate to them, as well as their unique challenges and abilities/disabilities. By having so much detail, we can empathize with them as though we actually know them. Personal interjection here; even with this level of detail, personas are, by necessity, incomplete. They are stand-in’s for real people. While we will have to “fill in the blanks” for a fair number of things, the more complete a persona we can make and identify with, the more likely we will be able to consider their interaction and design for them to be effective.

Chapter 3 sets the stage for the idea of “Clear Purpose”. Clear Purpose starts with understanding our audience, putting “Accessibility First” to ensure that the broadest group of people can use the product effectively. Emphasis on universal design and equivalent use are more desirable than accommodation, since accommodation usually makes for a less fulfilling experience.

Chapter 4 focuses on Solid Structure. An emphasis is placed on the various markup and presentation options including the options associated with HTML, HTML5 and WAI-ARIA, separating the content from the presentation (yes, CSS is useful for accessibility as well as for eye candy) and optimizing content to be organized in a way that screen readers and assistive technologies can get to the the most important content first. Most important, sites with well defined structure help to remove barriers, and give users confidence they can find what they need when they use a site or an application.

Chapter 5 covers Easy Interaction. By focusing ion making interactions easy for those with disabilities, we go a long way in developing a product that is easier to interact with for everyone. Focusing on keyboard interactions, having codes in both HTML and CSS that leverage assistive technologies to provide more details or outline areas where the keyboard has focus, or to speak to the user where the keyboard focus currently is. Easy interaction enables users to control the interface, with large enough controls. It avoids taking unexpected actions for users that they can do on their own. Easy interaction also includes both preventing and handling errors in an accessible way.

Chapter 6 is all about orientation and navigation, or as the book puts it, “Helpful Wayfinding”. This consists of being consistent with design elements, mapping items similarly on pages so that the look and feel remains consistent, differentiating where it really makes sense to differentiate, and include information as to where a user actually was in the site (think of the bread crumb trail we often take for granted). ARIA roles work with HTML and HTML5 tags to help define where on the page the user is to that assistive technology can reference those rage and provide meaningful alerts and signposts. It also gives some good suggestions as to how to pattern links and navigation items, such as using action words as links, presenting links in an obvious and consistent way, including images as clickable elements, keeping the navigation process simple, and resisting the temptation to bury content in layers of submenus.

Chapter 7 focuses on Clean Presentation, or placing a focus on the visual layout, images and fonts for easy perception. To get the best effect from this, though, Clean Presentation looks to take into consideration a variety of visual disabilities, as well as allowing users the ability to customize the look and feel, using native browser options or physical controls in the site or app itself (think of the font enlarging/shrinking of a Kindle eBook as an example). Stylesheets can help considerably in this regard, and can allows the visuals to me modified both at the user preference level and at the device level (laptop, vs. tablet. vs. phone). Making a contrast between the text and background, font size, style, weight, and spacing, as well as the contrast for images can also help make a site more usable.

Chapter 8 gets to the heart of the matter regarding “Plain Language” Not to be confused with “summing down” content, but writing to the intended audience with words and terms they will understand. Plain language also helps drive content presentation. Clear headings, columns to break up text, small paragraphs, bullet points and use of bolding, italics and links. In general, make it a point to read your site regularly, and incorporate your personals to see what they would think of your presentation.

Chapter 9 covers Accessible Media. Much of what we post requires visual cues. Images and audio/video are the most obvious, and there are differing challenges depending on the individual and the disability. For sighted users, image rich sites can be little more that large blank canvases with a few words here and there. Audio files cannot easily be consumed by those who cannot hear. This is where aspects like alt tags for image, closed captioning for video files, transcripts for audio files, and other ways to describe the content on the page will goa long way towards letting more people get involved with the content.

Chapter 10 brings us to Universal Usability, or put in a different way, a focus on a great user experience for all can go a long way towards helping incorporate many accessibility ideas for everyone. Technology should not have to be fought with to get a job done, or to accomplish a goal. Well designed sites and apps anticipate user interaction, and help guide them to their completion, without requiring a lot of redirection or memorizing of options to get a task completed. A popular phrase is “Don’t make me think!” the site or app should allow the user to focus on their goal, not trying to figure out how the site or app needs to have them achieve it.

Chapter 11, In Practice, looks to unify the concepts in the book into a holistic approach. More than just using the techniques described, the organization as a whole needs to buy into the value of accessibility as a lifestyle and a core business goal. Start by evaluating your current site and seeing where you re doing well and where changes would be valuable. Determine what training, skills, people power and infrastructure will help you get from A to B. Also, while personas are a great heuristic, they do not take the place of flesh and blood people dealing with the various disabilities we want to help make our software accessible to. Look to interact with and develop relationships with real people who can give a much clearer understanding of the challenges, so that you can come up with better solutions.

Chapter 12 considers The Future, and what A Web for Everyone might look like. Overall goals include a web that is ubiquitous, where accessibility is part of design from the ground up. Another goal is flexibility as a first principle of design. Our interaction should be invisible, or at least stay out of our way as much as possible. Methods in which we will get to that place will involve being more inclusive and diverse in our understanding of who uses our products, and how they use them. We’ll need to make accessibility part of the way we think, not as an afterthought after we’ve done everything else.

The book ends with three appendices. Appendix A is a brief listing of all the principled discussed in each chapter, and would make for an excellent starting point for any story workshop or test design session. This is a great set of “What if?” questions for software testers. Appendix B is a summary of the WCAG 2.0 standard and how the various sections map to the chapters of the book. IF you want to get into the nitty-gritty details of the spec, or get access to other links and supporting documentation, that’s all here. Appendix C gives a lengthy list of additional reading (book, links, etc.) about the topics covered in the book. If you want to know more about any specific area or heading, check here.

Bottom Line:

"A Web For Everyone" gives a lot of attention to the the personas and real world examples of accessible design, which are interspersed through all of the chapters. We see their plights, and we empathize with them. These persona examples are humanizing and very helpful. They help us see the what and the why of accessibility. We see many interesting design ideas shared, but we get only a few examples of the how. Implementation is discussed, but only a few ideas are fleshed out beyond the basic prose. This is not necessarily a criticism, because A Web for Everyone does a really good job explaining the what’s and the why’s of accessibility design. High level design ideas and technology briefs are handled quite nicely. A variety of coding examples to show the ideas in actual practice, not so much. If you are looking for a guide to coding sites for accessibility with exercises and examples to create, this isn’t that book. If, however, you want to get inspired to make, test or promote software that can be used and usable by a broader variety of people, this book does an admirable job.

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Senin, 10 Juni 2013

[V974.Ebook] Ebook Truth, Thought, Reason: Essays on Frege, by Tyler Burge

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Truth, Thought, Reason: Essays on Frege, by Tyler Burge

Tyler Burge presents a collection of his seminal essays on Gottlob Frege (1848-1925), who has a strong claim to be seen as the founder of modern analytic philosophy, and whose work remains at the centre of philosophical debate today. Truth, Thought, Reason gathers some of Burge's most influential work from the last twenty-five years, and also features important new material, including a substantial introduction and postscripts to four of the ten papers. It will be an essential resource for any historian of modern philosophy, and for anyone working on philosophy of language, epistemology, or philosophical logic.

  • Sales Rank: #3917966 in Books
  • Published on: 2005-04-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.40" h x 1.20" w x 9.30" l, 1.71 pounds
  • Binding: Hardcover
  • 430 pages

Review
Taken as whole the essays address all of the central ideas and problems in Frege's philosophical work...This is a rich and immensely impressive body of work, which will be indispensable reading for specialists, but contains much that may stimulate and provoke those who think about the topics covered for their own sake. Alan Millar, Philosophy Burge's book will provide an essential point of reference for the next twenty-five years. Michael Beaney, Notre Dame Philosophical Reviews

About the Author
Tyler Burge is at Department of Philosophy, University of California, Los Angeles.

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0 of 4 people found the following review helpful.
A Great Collection
By blisshaha
This is a great collection of readings from a great philosopher. Burge offers many insights on Frege's philosophy among other things.

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Sabtu, 08 Juni 2013

[X225.Ebook] Ebook Download You Killed Me!, by Keith Gray

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You Killed Me!, by Keith Gray

There's a dead man at the end of Toby's bed. He says that Toby killed him. Did he? Thrilling ghost story. Len Grimsby is dead and he blames Toby. When Len's ghost appears at the end of his bed, Toby is taken back in time to see the repercussions of his actions and unravel the series of events that led to Len's death. Can he save Len from being killed? And can he manage not to screw everything else up in the process? Gripping ghost story from a critically acclaimed writer. With a reading age of 8+, this is suitable for reluctant, struggling and dyslexic teens.

  • Sales Rank: #2768043 in Books
  • Published on: 2013-01-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x .31" w x 5.12" l, .0 pounds
  • Binding: Paperback
  • 88 pages

About the Author
Keith Gray was born in Grimsby. As a child Keith found reading a chore, but later found a talent in reading and writing, and at 24 he had his first book published, Creepers, which was shortlisted for the Guardian Fiction Award. Since then he has written numerous novels and has been on the judging panel for the Blue Peter Book Award, the Guardian Fiction Prize and the Bookstrust Teen Prize. He has also edited two collections of short stories for Random House and reviews teen fiction for The Scotsman. He currently lives in Edinburgh.

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